My Thanksgiving
Woods Nash
2024
This poem explores social and cultural aspects of neurodevelopment, such as our customary feelings of independence and relative isolation from others, and asks whether such a sense of self is inevitable.
When I drop my niece
on her face, her yowls shake
the house. Her mom swoops in
to scoop her up, finds a fresh welt
swelling. He tossed me high to dance,
she sobs, but dipped me down too fast.
She’s right. My mechanics
are not to be trusted.
Someone taught the child I was
to lift my heart in prayer, not to worry
about precision. So I searched for art
in heaven. I asked earnestly
for daily dread. And got it. Believe it
or not, says the urgent care doc, these tests
let me see your brain. You’re OK.
Later, my niece and I skip around the tree,
spiraling bulbs over evergreen. Ornament
shatter, she discovers, is a bad time
to be barefoot. I do my best
to patch her up. Golf, anyone?
Always, when mired in a pit
of sand, I manage to choose the wrong
club. But fabulous is the subsequent
blast, unfathomable the crater. If the Lord
were to stand at the ruptured junction
of Henry Ford and Stardust.
If the Lord only knew the billion ways
I have held up my arms. Home again
from golf, Guess Who? is the game
she wants to play. And will I please say
just a little more about this Rumpelstiltskin?
I’m thankful she’s not giving up on me.
Others’ friends visit. Somehow, I’m allowed
near their baby. Like me, this newborn is
slightly cross-eyed. He arrived without a corpus
callosum. No one can say what will happen.
I love you bunches, his mother nuzzles.
His dad coos, Yes I do. Why should I need
any forever? The child’s halves could grow
separately: two strangers in an elevator.
Or they could fuse into a whole
new species, complete, one who knows
he’s never been alone.